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from GRAVITY, U.S.A.,
by Jacqueline
Jones LaMon
Teetering
Keloidal
Teetering
for my father
That Tuesday, we spoke for the very first time—
Adult to Adult, climbing over our history of hurled words,
dark blue crevices. I dialed, leaned against my dormitory’s wall,
obtuse and ready for the fall, for you to hang up, or be
summoned away for something beyond the cord’s reach.
Your silence gave me one good
breath, as it always had—
permission to move about the world in darkness, to bump around
and disrupt the waver of night. Two freshmen ran past,
the first one flailing a red lace brassiere, the second one howling
for mercy, discretion, shouting Give It Back—It’s Mine.
Watch what you eat, you told me.
Life is about taking
care of your self, putting good things in, taking bad
things out. On my way to you, my ride chugged Fresca
and Tab, chain-smoked Chesterfields. She swore like the world
was her burden, then dropped me off, the end to an improvised blues.
When the night is still, things get caught in the corners. Like fake
tokens in a subway turnstile. Like a woman with a man heavy on her
mind. I had a plan: the next day, we would discuss forgiveness, how to
sing off-notes, still hear the fugue. The world fades—on you, on me,
a street apart. One of us always leaving, one of us always left behind.
Keloidal
Some people were not meant
to create holes in themselves.
Were not meant to carry around
the weight of void, and fill it
with something foreign, some thing
to replace the phantom craved—
an unreachable itch a mile beneath
the skin.
But some try still, in the name of intricacies.
We all search for precious things, a
music
pure enough to mimic the neck’s curve.
A golden hoop. A glittering dangle.
A simple post.
Even a vacancy speaks of the last
or the next—the ethereal what
that could be there—instead of this
dense phoenix, healing
and healing again.
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